Ongoing project

Unfallfotokamera uses disposable cameras from German car accident kits—devices designed to turn crashes into insurance evidence. Here, photography operates as protocol: images made to circulate, not to be seen.

The cameras, bought unused on Kleinanzeigen, contained aged film that produced unintended exposures. Instead of accidents, they register chemical traces and time passing—images without event. What appears is not the crash, but the camera’s own waiting.

What happens when photography's operational function collapses into pure materiality, when the image meant to produce value records only absence or just time?